And then (cue danger music)
The dog (who spends most of her time in the office) decided to chase the cat across the desk and corner him. They were just playing. The animals are fine. My calendar -- not so much. February and March don't exist. I have a ten month calendar--starting in April.
Which is how I ended up with two people scheduled for today, Leap Day. So I'm calling it a Leap Day Bonus. You are going along with me on this. Right? I said RIGHT?
So, for our first guest I am proud and pleased to introduce the lovely, talented (and possibly shizoid--just kidding folks, but she does have work with a number of pen names). JADE LEE. (Cue the applause).
Our second lovely guest is a friend from the convention circuit and a wonderful author of short fiction. She is also the voice of a redhead, from the apocalypse. Give a HUGE WARM WELCOME folks to RHONDA EUDALY!
Riff This...
By Jade Lee
Which is why–in my split personality–I am funny as Kathy Lyons for my Harlequin
Blazes. They’re short, sweet, contemporary, and I can set up a situation and
just riff. Those are my funny books, written mostly in the afternoon, and with
a large sense of the ridiculous. My historicals as Jade Lee are dark, sensuous
character stories of people struggling in a difficult time. Jade is SEXY (and
yes, I managed to find a way to be sexy first thing in the morning.
Well...after my latte). But when my editor asked me to bring my Kathy Lyons
humor to the regency for the new series, I thought she was...well, joking. Jade
Lee was serious. She wasn’t...oh right. She’s not really a person. She’s ME
and I can be funny. Or so I promised my editor.
It took me a LONG time to get the
right note. A long, struggling time of bad jokes, worse puns, and really
nothing at all delightful except for when I hit the delete key. Apparently, I
sucked at HISTORICAL funny. And then I remembered something really key. I
remembered all those regency romances from when I was a kid. The ones that were
sweet and funny and could still manage sexy. It’s what brought me to the time
period in the first place. So I embarked on a remember-why-you-love-the-regency
campaign. I found it. In lots of places. And, I have to admit, in writing a
lot of bad words until I found the right ones.
I’m happy to say that I think I
succeeded. Publishers Weekly said I had charming verbal fencing, clever
retorts, and an entertaining read. WOO HOO! But that’s not what really
counts. What counts is what YOU think is funny. So click on this link [http://jadeleeauthor.com/books/bridal-favors-series/wedded-in-scandal/wedded-in-scandal-excerpt]
and you’ll get one of my most favorite scenes in the book. Someone who comments
on this excerpt will get a free copy of Wedded in Scandal! And for
those of you who feel left out, click on this link [http://jadeleeauthor.com/engaged-in-wickedness-free ]
and you’ll get a free e-copy of the prequel novella Engaged in
Wickedness.
So....you tell me. Did I succeed in
being funny? Or do I need to get some more alcohol and try again? PS. You can
also tell me what books you run to get your love of the regency back!
AND NOW --- RHONDA!
I want to thank you for having my as a
Visiting Dignitary. Though, seeing some of the other dignitaries
here, I have to admit I don't feel very "Dignified". I
will do my best to entertain you - or at least sound coherent.
For those who don't know me, I'm Rhonda
Eudaly. I've done a lot of short fiction work both in print and
online. I'm moving into longer work. I'm best known for my
collaborative work, The Four Redheads of the Apocalypse with Yard Dog
Press. I write the character, Zoe - who is Death. What most people
don't realize is that I do write more than humor fantasy. I have a
wide range of stories, including one really dark Science Fiction
piece which was part of a Bram Stoker nominated anthology in 2006 put
out by Apex Book Company.
Now that you know a little bit about
WHO I am, let's talk about more about what and how I do what I do.
All writers get the "how do you get your ideas" questions.
But I've also been asked "HOW do you become a writer?"
almost as much. The really simplistic answer is: apply behind to
chair, write a story, finish the story, and submit the story -- even
though there is so much more to it these days. A writer isn't a JUST
a writer any more.
I've spoken and written about the
"American Idol Effect" (or if you're "of a certain
age", the "MTV Effect") for writers where NOW it's not
enough to write a brilliant story writers are now required to market,
promote, have an active online presence and even (sometimes
literally) sing and dance - and that's if you're traditionally
published. If you choose self-publishing you have all that PLUS
editing, proofreading, and actually PUBLISHING added on.
It can be a tedious and daunting task
to figure out the time management aspects of what constitutes a
writing career. But we have an outlet. We have CONVENTIONS. This is a
marketing/promoting outlet that lets writers get out among their
fellow writers, editors, and readers. Even as we sit on panels
talking about various aspects of writing, we are recharged creatively
by being among people who think we are the universe's MOST SPECIAL OF
SNOWFLAKES. And that can be exhilarating (and a bit embarrassing if
YOU are trying to be a fan and have a book signed, and you're pulled
out of said line to sign one of YOUR books for someone else - but
embarrassing in a cool way).
However, Special Snowflake Syndrome (as
fun as it is) has a shelf life of 3-5 days (depending on the length
of the convention). It's like Cinderella's dress and coach - it
expires when you pull back into the driveway of your home. We all
want to still be that Special Snowflake even after the convention -
but it's hard to hold on to that when sorting laundry and putting
unsold books back on a shelf.
And that's the reality of writing.
Depending on how many conventions or If you're on major signing tours
- a writer like me spends at the most 10% of the year in the Special
Snowflake Zone. The other 90% of the time is dealing with the
"chore" part of this industry - writing, typing, market
research, editing, and market research. We are feeding families,
housecleaning, and paying bills -- just like everyone else and it's a
hard thing (sometimes) to readjust to - because we all want to hold
on to the Special Snowflake feeling.
So if you think you're not getting
anywhere in your writing, keep at it. Keep plugging along in that 90%
or so range, because for what it's worth? Those times when you're in
the Special Snowflake Zone? It really does help motivate you (well,
me) to keep moving forward. To keep producing new material to keep
the buzz going with the loyal fans and to bring in new ones. It makes
it all worth it.